Primavera a la Ciutat 2026: Geese
BOOKING PROCEDURE
Access to the concert will be managed through a booking system, subject to capacity, for Primavera Sound Barcelona 2026 pass holders. Bookings for Primavera a la Ciutat are subject to a €15 deposit, which will be automatically refunded upon attendance.
Bookings will open on the AccessTicket app from 28 May for VIP pass holders —10:00 CEST—, pass holders who purchased their ticket before the line-up was announced —12:00 CEST— and Revolut pass holders —14:00 CEST—; and from 10:00 CEST on 29 May for general pass holders.
In addition, on 29 May at 12:00 CEST, a limited number of tickets specifically for the general public will be available on Fever for €30 plus booking fees.
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So much happened around Geese following the release of Getting Killed that you could say they lived a thousand lives in 2025, but they still have enough energy left to make the most of their appearance at the imminent next edition of Primavera Sound Barcelona, which is beginning to reveal some of the unexpected events that have also defined its history. Once again, Primavera Sound week will leave a crack open for the unpredictable.
The New York band has today announced, by surprise, that they will present their acclaimed latest album twice at the festival: in addition to their Thursday show on the Occident stage at Parc del Fòrum, they will now play a venue concert on Wednesday 3 June at Paral·lel 62, as part of Primavera a la Ciutat. In between the two dates, there will also be time for their frontman, Cameron Winter, to perform solo on Thursday afternoon at the Auditori Rockdelux.
If the Thursday concert was already destined to be one of the major highlights of the festival’s 24th edition, the Paral·lel 62 show directly takes on the dimension of a unique and unrepeatable opportunity: the band of the moment will make their Spanish debut in the intimacy of a mid-sized venue.
In this way, Geese’s first time at Primavera Sound Barcelona will become a multiple celebration of the most exciting rock phenomenon in recent memory. The paradoxical retro freshness of Getting Killed, named best album of 2025 by Stereogum, NME, The New Yorker and TIME, has connected two, or even three, generations of listeners fascinated by Winter’s unforgettable voice.
Although it might seem as if Geese suddenly sprouted from the ground like a mushroom at the end of last summer, there was in fact already life for this quartet before Getting Killed, which is not their debut but the third album of their career after Projector (2021) and 3D Country (2023). That earlier, quieter and more underground trajectory is what has allowed them to deliver a modern rock classic while its members are still far from turning thirty. Is Geese a miracle? Without a doubt, but it is also the story of four friends who have been playing, rehearsing and experimenting together since high school.
